Wednesday, October 28, 2009

Students build repertoire of theater skills

News Office article:

Building on his theater experience in this year’s Summer Incubator program could help second-year William Bishop land his summer dream job next year at Scotland’s largest theater festival, Fringe.

Bishop is one of five College students who got a two-week crash course in theater management and production during this summer’s Theater and Performance Studies/University Theater residency program. It provides select students with hands-on theater experience, while sharing University resources with local emerging theater and dance companies.

Students acquire skills that can lead to future opportunities, said Heidi Coleman, Director of University Theater. “Students help with drafts, they hang lights, they do everything,” said Coleman. “We’ve built destructible pianos and chairs that are really trampolines,” she added.

Bishop now has a growing repertoire of theater skills—building stages and sets, working on lights and sound, and being a general go-to man. He often spent his days hanging lights and cleaning UT’s three theater spaces in the Reynolds Club and Bartlett Dining Commons, but in the evenings, Bishop would work with the directors and actors, supplying them with anything from a half-dozen sofas to an elaborate banquet of fake food.

In total, six Chicago-based companies inhabited the University’s theater spaces, workshopping their latest pieces with the help of UT senior staff and student interns. This year, Summer Incubator welcomed Teatro Americano, Vintage Theater Collective, Caffeine Theatre, Cabaret Vagabond, Rivendell Theatre Ensemble, and Cerqua Rivera Dance Theatre.

A ‘Place to Create, Perform, & Brainstorm’

Bishop said Summer Incubator is all about giving local artists a place to create, perform, and brainstorm to further develop their ideas.

“They’re using the same theater spaces where we put on UT shows, and that’s what makes it so exciting. The night is the most exciting part for me because that’s when the actual theater goes on,” Bishop said. “I get to see the dynamics of how professional theater works. Now I know that I want to go into theater professionally.”

And thanks to Summer Incubator, Bishop believes he has a good chance of getting that coveted position at the Fringe festival next summer.

“Summer Inc is a good introduction into the ABCs of being a theater tech, from opening and closing a show to knowing the lighting and creative aspects of producing one,” added Alicia Graf, a third-year in the College and a program staff member.

Alumna Evelyn DeHais (AB’09) agreed. DeHais was an intern in 2008, and said the Summer Incubator experience informed her acting and directing as a member of TAPS/UT this year.

Director 101: Learning How Things Work

“A lot of people who are in the arts and want to be directors or actors don’t necessarily know how things work,” she said. Through Summer Incubator, “I basically came to really understand the spaces I wanted to do my art in, and understand their limits.”

DeHais has directed several shows for TAPS/UT, including the quirky “rock opera,” Prozak and the Platypus. “I directed two very big shows that had to be lit very strangely, and I was able to speak intelligently to my designers about what I wanted. I knew my technical details, and that’s unusual for a director.”

Another student intern Ben Schapiro also has been called upon to set up lighting for a photo-shoot and work a soundboard. But he particularly values the chance to watch the theater groups rehearse.

“The scene was five people in an apartment after a funeral,” Schapiro said, describing one rehearsal that stands out in his mind. As the actors ran through their lines, which described their relationship with a recently deceased friend, he paid attention to the director’s notes. “The director would say, ‘why did you do this?’ And the actors would say, ‘well, my character really wants to do this.’ They speak in terms you don’t really hear college students use. It was a great way to learn how director’s think.”

Schapiro, a College third-year, has orchestrated lighting and sound for various TAPS/UT productions and even gave a tap-dancing performance during his first-year. Like his co-interns, Schapiro embodies the diversity of personas UT students must take on when they create a production.

And Coleman knows the learning process won’t end with Summer Incubator: “After college, a lot of people think, ‘I’ve got these friends—let’s start a theater group.’ [Summer Inc] is demonstrating the logistics behind the romance of that. For students, the program fits into the whole of the year.”

Tuesday, October 20, 2009

...And sometimes a journalism student really can't have hope

The New York Times will Cut 100 Newsroom Jobs at the end of this year.

45 reporters will receive buy-out offers later this week, according to the company.

At least the newsroom wasn't the first place to face cuts, Richard Perez-Pena reports:

The paper has made much deeper reductions in other, non-newsroom departments, where layoffs have occurred several times. But the advertising drop that has pummeled the industry has forced cuts in the news operation as well. The newsroom already has lowered its budgets for freelancers and trimmed other expenses, and employees took a 5 percent pay cut for most of this year ... The Times’s news department peaked at more than 1,330 employees before the last round of cuts. The current headcount is about 1,250; no other American newspaper has more than about 750.


It's a small consolation to an aspiring journalist who all but idolized the NYTimes's institutional model a few years ago.

I witnessed newspaper buyouts first-hand as an editorial intern with the San Diego Union-Tribune last summer. The paper was on the verge of going up for sale, and offered buy-outs to close to 30 staff members—mostly older reporters and editors with long careers at the paper. My editor proudly declared, "I will go down with this ship!" posted lyrics to a Titanic song in his cubical, and hunkered down to weather the "economic thunderstorms" (as Bill Keller called the staff cuts in his open letter to NYTimes staffers) by starting a blog with the bleak name "threatened journalist"; one columnist took the buy-out and left without another word, refusing to finish out his month. The already somber newsroom was awash in whispers. Small, impromptu gatherings around the water-cooler turned into long-winded musings on the downfall of the newspaper industry, and more than one stranger walked by my desk to say "get out while you can, kid—it's not too late to change majors."

If they took the buyout offer, the U-T reporters' reasoned,they would be leaving familiar jobs where they have established reputations and credibility; but a buy-out is in many ways more attractive than the possibility of staying only to face lay-offs further down the line. Younger reporters who recently started at the U-T had no option, but became aware of their more-seasoned colleagues dilemma, and we all wondered if the U-T had reached a dead end.

The New York Times does amazing work, and I wish the reporters a lot of luck making this decision.

Saturday, October 17, 2009

What old media can learn about doing good journalism in the twenty-first century from Voice of San Diego

An alternate title to this post could be: Why Emily Alpert rocks.

Alpert, a UChicago alumn, shared stories from her recent days reporting in Oregon, Gilroy, CA and now in San Diego at a revolutionary local non-profit, with students in the Chicago Careers in Journalism Program yesterday afternoon.

Here are some of the thoughts she left me with on the benefits of a non-profit, investigative journalism model like Voice of San Diego, the web-publication where she serves as the education reporter. I'm excited.

*Problem with the old media model: Daily beat reporters are pressured to produce copy every day, and as a consequence have less time for deeper, long-term projects.

Solution at Voice of San Diego: What's different about this web-only publication from a paper like the San Diego Union-Tribune (where I interned last year) is not content per se, but the method of delivery. With the internet, Voice can break news immediately, rather than waiting for publication.

*Problem: How to find new and unlikely sources and story ideas in a mid-sized community like San Diego?

Solution: Reporter Blogs. With her Voice of San Diego blog, Alpert said, in addition to breaking news quickly to her audience of parents, teachers and school administrators, she can have ongoing conversations about education issues via the readers' comments. She told one story about the photo editor, who snapped a photo of a weird, blackened object on the beach and posted it to his blog, asking readers, "What is it?" The mystery brought dedicated readers back to the blog as people offered suggestions and asked the photographer for more information. Eventually he learned that it was a dead sea urchin—and that environmental scientists in San Diego are trying to figure out why many are dying on the coast. This little blog post led to a
feature interview with a scientist about the topic, and people came back to read it.

Alpert also holds contests to illustrate a particular issue around education in the city; recently, she asked readers to submit the best, and worst, classroom worksheets in the school district.

*Problem: A paper like the Chicago Tribune is trying to cover the whole world, but no one is covering everything in Chicago.

Solution: "If we can't do it better than anyone else, we won't cover it," Alpert says of Voice, which has a handful of staff members, but no pressure to be every paper for everybody in the city. Rather than cove the same story everyone else is doing, try to add value to the cache of stories on a topic. She keeps a rolodex of people she's met, with notes like "parent who was angry about such and such."

Tuesday, October 13, 2009

InQue(e)ry: So, we queered Ida Noyes and tied people up; Now what?

I would not have attended Que(e)ry two years ago.

In fact, I probably would not have taken one iota of interest in the "radical, queer, arts convergence"- radical-anarchist-radical-takeover of Ida Noyes Hall that took place in all its glittery, gender binary-shattering (did I mention radical?) glory last Saturday. I just didn't care what anyone had to say about gender and sexuality—These categories just exist, okay? I get it, enough!—And especially not someone with a pink mohawk. Also, I hate wearing make-up and glitter. But that's just me.

But a lot has changed for me since high school, when I was embarrassed to admit I was studying "Gender and Sexuality in Latin American Literature" at UC San Diego; when less than a year ago a certain sociology professor prodded me to justify why I thought "Problems in the Study of Sexuality" would be a useful addition to my Autumn Quarter course schedule, and I lied to my parents that I was actually taking "just an introductory English course" to fill my fourth slot and prevent more awkward conversations.

Now I conspire to get people tied up in the Third Floor Theater and eat vegan food with my hands on occasion. Go figure.

The thing is, I've thought about this a lot, the "where do desires come from?" question, and "why do I expect people to relate to each other in cerain ways?" and "what in me wants to be normal?" I don't have any good answers of course; but since I landed here as a freshman, many personal events, friendships and other experiences outside of academia have led me to appreciate these questions and recognize that the many possible answers are far from obvious—no where near as simple as we might have them be.

I think gender and sexuality are enormous, and enormously important, concepts that we should all pay more attention to. I am dying to hear more people my age talk about the assumptions that we all make about the way men and women should appear, behave, dress, make love to each other—assumptions about sexuality that go beyond what is heterosexual and what is homosexual to include a clusterfuck of kinks, fetishes and preferences.

We don't spend enough time acknowledging that desire exists, power exists, relationship categories are varied and changing, "normal" is a fallacy... If you have to stage an impromptu performance or sit people in a make-up chair and paint their faces to examine gender, to examine behavior, then please do it.

I'm not saying my peers need to drop their Adam Smiths and their Platos and take up reading Gail Rubin and Michael Warner, though these are theorists I have come to love by happy accident. They can just hang out with me and my queer, kinky friends sometime...

But much about Que(e)ry would put off the average UChicago student (let's face it, guys, it takes a lot of dessert food to get us out of our study caves on a given night). First of all, it was an all-day event conceived of, produced, organized and unorganized by a small group of campus activists who emphasized anarchy, art-making, veganism, and using the adjective "radical" every other sentence, as forms of resistance. This broad take on how to resist norms was its strength, but also made the party inaccessible to the people I most want to talk to, who don't already believe these concepts are discussion worthy.

With workshops on "BDSM as Bio-political Resistance" (I didn't attend, but I heard the presenter read a little Foucault out loud, and screamed a lot) and "Radical Cheerleading," the event was like a big inside joke; a ritualistic prank against all sorts of social conventions just a few steps above TP-ing the president's house, that only the iniated could understand. In fact, if you weren't laughing and screaming along, you might develop the uncomfortable feeling that you just don't get the punch-line.

Some workshops were more productive than this (and by productive, I mean accessible to a wide audience not already versed in the ethos of sex positive, queer and kink communities. Other attendees probably had different definitions of productive, or didn't make being "productive" a priority at all): "Practical Non-Monogamy," by Scathe, a presenter I really respect, was one of them. My boyfriend's praise sums it up: "He didn't assume that we all wanted to be polyamorous... he didn't try to convince us that open relationships are great for everybody, if we would only get rid of our hang-ups, which is an argument I've heard. They're not!" it was practical. It didn't make any assumptions.

I wanted people to stop assuming things because I'm a girl; dating a boy; really bossy; don't wear makeup; etc. etc. But this means I, and the sex positive communities around me, need to stop assuming that people share in common the same social leanings and political agenda, or would if only they spent the afternoon with us, some pot and some Judith Butler. If I want everyone to take gender fluidity and alternate sexuality seriously, then I'm going to have to start explaining this stuff to them where their understanding stops, rather than ask them to make the mental leap all the way to an anarchist arts convergence, and what it takes to feel comfortable in such a space.

The workshop I organized with two lovely, lovely people, Vincenza and Wren, possibly had one of the tamer titles descriptions: you can look it up, it was called "Intro to Bondage." What we like about rope, what you might like about rope. Some practical, hands on demonstrations. Hopefully some fun. I didn't ask anyone to hog-tie the patriarchy or wrap their heads around Foucault's biopower or Agamben, and I'd like to think that's why we had close to 30 attendees.

I'd also like to think that this practical ethos will serve future sex positive, kink positive events on campus well, if we can get some started.

Thanks, Que(e)ry, for making me feel more supported than ever before on this campus; now, any suggestions to keep the inquiries going?

Friday, October 9, 2009

Convocation ceremony stresses substance over pomp and circumstance

Another News Office article by me is up! Here it is.

“Today you must face the fact that you are not educated people.”

When Cyril Orvin Houle, Professor in Education, began his convocation address with these words to the Winter Quarter graduating class of 1948, he paid homage to the academic notion that one’s education is never complete, and the University of Chicago tradition of educating its community through the graduation ceremony.

Since the University first celebrated its accomplishments under founding president William Rainey Harper in January 1893, 499 convocations have taken place. Though past speakers have ranged from Professor Janet Rowley and legendary chemist Robert A. Millikan, to President Bill Clinton and a student who made a hastily arranged address against the Vietnam War, convocations all share a common purpose: to foster academic inquiry, stir up debate around pressing social and political issues, and, above all, honor the intellectual clout of the University’s faculty.

Martin Marty, the Fairfax M. Cone Distinguished Service Professor Emeritus and former Dean of the Divinity School, will deliver the 500th convocation address on Friday, Oct. 9 in Rockefeller Memorial Chapel―in fewer than 15 minutes, he is quick to point out. “At many universities’ commencements, it takes 45 minutes just to get through the introduction. At UChicago, you have to say it briefly, or it doesn’t get said.”

Marty’s speech, titled “Laying Siege to Problems,” will celebrate the University’s propensity to make discoveries and its intellectual spirit. “Discovery is our business at this University, and I always have been impressed by the way our faculty always talk about how interesting something is,” regardless of their academic field.

In the past, the convocation speaker has alternated between foreign dignitaries, professors and University presidents (in fact, during his tenure, President Robert Maynard Hutchins insisted on giving an address at least once a year). The convocation speeches thus have a tradition of discussing anything but the graduation itself―with subjects ranging from the state of the University to contemporary political issues.

Another hallmark of the convocation is the bagpipe procession, a trail of graduating students, bagpipers and the University Marshal that wends across the Main Quadrangle toward Rockefeller Memorial Chapel or Harper Court.

“There’s a certain sort of old-style, Oxford attractiveness to the convocations in Rockefeller Chapel,” recalls Lisbeth Redfield, AB’09, who was a Student Marshal as a College third-year and earned the honor of ushering graduates and attendees at two ceremonies. The combination of marching across the Quad in a long stream of robed students, and the sound of bagpipes playing ‘Scotland the Brave,’ she said, “makes it feel like a special ceremony to me.”

According to University archivist Dan Meyer, Harper wanted to establish the convocation as a special ritual for graduating students, distinguished faculty and visiting speakers and recipients of honorary degrees.

“Most universities refer to their graduation as a commencement,” explained Meyer, “but Harper chose ‘convocation’ to indicate that this wasn’t just a routine ceremony. It means a gathering together; a coming together to share an event.”

Although convocation typically employs a faculty speaker, one graduating student was asked to speak in place of a professor in June 1969―the only time a student has given the address.

On the heels of a massive student protest against the Vietnam War, Paul Brown, AB’69, MD’75, PhD’75, was given four minutes to address the controversy and reflect on his time at the University. Though he was not a leader of the protest, he had some harsh words for the University administration.

“It was a pretty radical address,” said Brown, who is now a physician. “We got a standing ovation from the students, but I don’t think the parents cared for it very much.”

What Brown would say if he could address the University again?

“I would want to talk about the life of the mind, the importance of a liberal education. Those are the kinds of things the University has always stressed, and have always appealed to me.”

“I had a great time at UChicago,” he said. “If I hadn’t gone there, I wouldn’t have all these multiple interests; I wouldn’t be reading everything in sight.”

―Rachel Cromidas

Friday, October 2, 2009

Project Exploration mentors CPS students, teaching value of science

New article of mine up on UChicago's webpage:



When Sara ElShafie was asked to explain “scientific method” to a classroom of teenagers, she started talking about Supercrocs. They’re the prehistoric crocodiles whose fossil remains were discovered by University of Chicago professor Paul Sereno on an expedition to Niger in 2000.

“You’ve seen the Supercroc skull—it’s 6 feet long,” she said. “We don’t have the entire animal, but Dr. Sereno was able to say that it was probably 40 feet long. How did he do that?”

The group of 14 Chicago Public Schools students receiving a crash course in paleontology as part of Project Exploration’s Junior Paleontologists field program was silent. “Sereno studied measurements of living crocodiles,” ElShafie said, and he found a ratio between head size and body length that he was able to apply to the Supercroc. “You have to have solid evidence like this. And only then can you present your data to other scientists,” she explained. “I love that fact.”

According to ElShafie, a third-year in the College studying biology, students first must learn the importance of scientific assumptions before getting their hands dirty as part of the nonprofit science program called Project Exploration.

Project Exploration programs for middle and high school Chicago Public Schools students met on the University campus throughout the summer. The Junior Paleontologists is a three-week program that starts in Chicago and culminates with a weeklong expedition with researchers at the Mammoth Site in Hot Springs, S.D. After the summer portion of the program, Junior Paleontologists participate in Project Exploration science programs and mentoring—and stay in touch with budding scientists like ElShafie—year round.

Sereno, Professor in Organismal Biology and Anatomy, co-founded Project Exploration in 1999, with his wife, Gabrielle Lyon, AB,’94, AM,’94, after realizing the science announcements that were traveling around the world were barely reaching students at area elementary schools like Fiske Elementary, where Lyon was teaching.

Since 1999, Project Exploration has brought nearly 1,000 Chicago minority youth and girls together with scientists from around the country in after-school, summer and weekend programs. Many of those programs have launched from the University of Chicago campus.
Learning by Doing

Sereno and Lyon share a passion for teaching unconventionally. Lyon credits her years as a teaching assistant in the University’s Neighborhood Schools Program for showing her the value of “learning by doing.”

“I was personally interested in public education, school reform, social justice, and equity. My work-study job [at NSP],” she said, “gave me hands-on, real-life experience working alongside real teachers in a school.”

To the teaching duo, the hallmark of Project Exploration is its ability to inspire teenagers with hands-on experiences alongside caring adults, many of whom are scientists.

“A lot of these kids will travel outside of Chicago or Illinois for the first time through our programs. In the Junior Paleontologist program, students actually excavate and study real fossils, basically participating in a formal dig program as guest interns,” Sereno said.

ElShafie said volunteering for Project Exploration has helped her realize her love for teaching, and she wants to pursue academia after graduation.

She said the program’s hands-on activities and mentorship make the program effective. “I have no idea where these kids are coming from or what their grades were before this program, but it doesn’t matter: When they come back [from South Dakota], I know they will see the world differently and have a sense of purpose in their lives.”

ElShafie is one of dozens of enthusiastic undergraduates, graduates and faculty scientists who have participated in Project Exploration programs, trainings and outreach efforts in the past nine years. Many of them get connected with Project Exploration through Sereno’s Fossil Lab and the University Community Service Center.
Journaling the Fossil Hunt

Though Rey Alcala had only been on campus one week, his field journal already held pages of notes about the mammoth site, where he and his peers would later be digging for bones.

“We put a big emphasis on journaling,” said Kristin Atman, Project Exploration program director. “These kids will only have five days at the site to record in their journals what they see. We want them to build skills like reading, writing and sharing what they observe.”

Sereno and Lyon are sketching out larger plans to expand the program and establish a permanent community center, where local youths, families and University faculty can come together to make discoveries.

“It would be like a community center focused on science and science activities,” Sereno said. “As the South Side continues to develop, Project Exploration can be a real bridge between the students, their communities and the University community. It’s so clear that this personalized approach has a huge impact, and this kind of model doesn’t yet exist anywhere else in the country.”

By Rachel Cromidas, third-year in the College